![]() ![]() The genre originated in England as a successor to acid house, taking in acid jazz and funk, and using hip hop style breakbeats rather than the mechanical '4 on the floor' drum rhythm of house. Its pioneering influence on the genre became more prevalent with the label's first compilation, Funkjazztical Tricknology, in 1995. īetween 19 Ninja explored and defined the instrumental hip hop beats sound further (often known as trip hop). The single, in the words of Pitchfork, "builds on a catchy loop of the Jackson 5's 'It's Great to Be Here' and creates one of the few anti- Gulf War protest songs of the era, transforming Bush's speech into a pop hook ('Regrettably, we now believe/ That only force will make him leave') and interspersing quotes from Jello Biafra ('don't hate the media, become the media!') and Mario Savio's famous 1964 address to the Berkeley Free Speech Movement". Steinski, a big inspiration behind Coldcut's initial forays into music, released his first Ninja Tune EP as Steinski and Mass Media in the same year. 4 onward, an integral part of the DJ Food production team. PC would become a crucial member of Ninja Tune, and from Jazz Brakes Vol. PC, who joined Coldcut as sound engineer. In 1992, Peter Quicke joined as label manager, as did Patrick Carpenter, a.k.a. DJ Food's Jazz Brakes series were intended as source material for DJs and producers who worked with breaks and beats. ![]() ![]() 1, which, according to Record Collector, "blew up" in the DJ circuit. The label got a bigger name for itself when Coldcut, as DJ Food, released their funky hip hop jazz-breaks album, Jazz Brakes Vol. Ninja Tune's inaugural release was Coldcut's (under the name Bogus Order) house break collection Zen Brakes Vol. Īfter Coldcut's success with their first label, Ahead of Our Time, contractual issues prevented them from releasing anything under their own name. With their first releases in the early 1990s, Ninja Tune went on to, according to Pitchfork, "usher in trip-hop/instrumental hip hop". Fatboy Slim, then of Beats International, the label lifted its moniker and aesthetic from the Japanese TV shows of the 1950s and 1960s based on the Ninja. The label has since released music of many artists (including The Cinematic Orchestra, Amon Tobin, Bonobo, Kelis, BICEP, The Bug, Machinedrum, Lee Bannon) and distributes for other record labels – including Big Dada, Brainfeeder ( Flying Lotus' label) and Technicolour Records.įollowing a Coldcut tour in Japan with Norman Cook, a.k.a. They were composed of instrumental sample-based cuts that led the duo to help pioneer new instrumental hip hop beats genres (alongside the Mo'Wax label and Ninja Tune artists such as Funki Porcini, The Herbaliser and DJ Vadim) and, to this day, are recognized as being indispensable tools for DJs. The label's first releases - the first five volumes of DJ Food's Jazz Brakes - were produced by Coldcut in the early 1990s, and were celebrated by the music press and beat aficionados. It has signed a diverse range of artists, has created its own publishing company, Just Isn't Music, and finds innovative uses of software. The label has been called "visionary" and "reliably excellent". Inspired by a visit to Japan, Black and More created Ninja Tune in 1990 as a means to escape the creative control of major labels, and as a vehicle to release music of an underground nature, free from the constraints they experienced in their brief stints with Arista and Big Life. It was founded by Matt Black and Jonathan More (better known as Coldcut ) and managed by Peter Quicke and others. It has a satellite office in Los Angeles. Ninja Tune is an English independent record label based in London.
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